Products related to Identity:
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Fashion, Identity, Image
How has the fashion industry responded to turn-of-the-millennium non-binary identities?Do they have a supportive or exploitative relationship with queer, trans and ageing subjects?Fashion, Identity, Image unpacks these questions and many more in relation to clothing and representation, identity and body politics in British, European and American culture between 1990 and 2020.Jobling, Nesbitt and Wong explore issues of intersectionality and inclusivity through groundbreaking shows, including Maria Grazia Chiuri’s ‘We Should All Be Feminists’ catwalk show for Dior (Spring-Summer 2017), Alexander McQueen’s ‘The Widows of Culloden’ collection (Fall-Winter 2006), and the role of transgender models such as Oslo Grace since 2015.Looking to the future of our relationship with fashion, there's also an investigation of the android as a redemptive figure in Alessandro Michele’s cross-cultural cyborg collection for Gucci (Autumn-Winter 2018/2019) and the impact of the ageing population with analysis of age and memory in work such as Magali Nougarède’s Crossing the Line (2002), and pleasure and morality in fashion publicity since the 1990s for the likes of Calvin Klein, D&G and American Apparel.
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Religion And Identity Politics: Global Trends And Local Realities
Discourse on fundamentalism has gained much attention in recent years, particularly in a post-9/11 context where extremist or terrorist threats are more prominent, perilous, and pervasive.This edited volume seeks to spotlight the perspectives of academics and practitioners vis-à-vis global trends in religious fundamentalism and right-wing extremism over the past decade.It presents a collection of works from notable academics and practitioners; including a selection of case studies from Asia to illustrate the contemporary interplay of religion, politics and identity; alongside broader global trends of religious fundamentalism.The chapters that follow attempt to trace the sources and factors that led to the dramatic rise in these powerful forces of faith, which influence societies and politics around the world.Together, they present a carefully curated narrative of the interplay of religion and identity politics globally and across Asia.The prevailing differences in demographics, history and the extent of ethno-religious diversity across country contexts are perused across each chapter, and the ensuing circumstances deliberated upon.As these circumstances change, the ways people interpret their identities, engage in politics, and navigate their religion will also evolve.How we manage the effects of religious fundamentalism must hence begin with an understanding of how religion, identity, and politics interact — and this is what the upcoming chapters seek to illustrate.
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Fashion, Culture, and Identity
What do our clothes say about who we are or who we think we are?How does the way we dress communicate messages about our identity?Is the desire to be "in fashion" universal, or is it unique to Western culture?How do fashions change? These are just a few of the intriguing questions Fred Davis sets out to answer in this provocative look at what we do with our clothes--and what they can do to us.Much of what we assume to be individual preference, Davis shows, really reflects deeper social and cultural forces.Ours is an ambivalent social world, characterized by tensions over gender roles, social status, and the expression of sexuality.Predicting what people will wear becomes a risky gamble when the link between private self and public persona can be so unstable.
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Fashion and Its Social Agendas : Class, Gender, and Identity in Clothing
It has long been said that clothes make the man (or woman), but is it still true today?If so, how has the information clothes convey changed over the years?Using a wide range of historical and contemporary materials, Diana Crane demonstrates how the social significance of clothing has been transformed.Crane compares 19th-century societies - France and the United States - where social class was the most salient aspect of social identity signified in clothing with late 20th-century America, where lifestyle, gender, sexual orientation, age and ethnicity are more meaningful to individuals in constructing their wardrobes.Today, clothes worn at work signify social class, but leisure clothes convey meanings ranging from trite to political.In today's multicode societies, clothes inhibit as well as facilitate communication between highly fragmented social groups.Crane extends her comparison by showing how 19th-century French designers created fashions that suited lifestyles of Paris elites but that were also widely adopted outside France.By contrast, today's designers operate in a global marketplace, shaped by television, film and popular music. No longer confined to elites, trendsetters are drawn from many social groups, and most trends have short trajectories.To assess the impact of fashion on women, Crane uses voices of college-aged and middle-aged women who took part in focus groups.These discussions yield fascinating information about women's perceptions of female identity and "Fashion and Its Social Agendas" stands out as a critical study of gender, fashion and consumer culture.
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What is the fashion style for clothing?
Fashion style for clothing can vary greatly depending on personal preferences and trends. Some popular styles include casual, formal, bohemian, vintage, streetwear, and minimalist. Each style is characterized by specific clothing choices, colors, patterns, and accessories that help create a cohesive and fashionable look. Ultimately, fashion style is a way for individuals to express their personality and creativity through their clothing choices.
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What creates identity?
Identity is created through a combination of factors such as personal experiences, cultural background, social interactions, and self-perception. Our upbringing, beliefs, values, and relationships all play a role in shaping who we are and how we see ourselves. Additionally, external influences such as societal norms, media representation, and historical context can also impact our identity formation. Ultimately, identity is a complex and multifaceted concept that is continuously evolving as we navigate through life.
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Do you follow fashion trends?
As an AI, I don't have personal preferences or the ability to follow fashion trends. However, I can provide information and insights on current fashion trends based on data and analysis. If you have any specific fashion trend-related questions or need information on the latest trends, feel free to ask!
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Should teachers follow fashion trends?
Teachers should prioritize professionalism and comfort over following fashion trends. While it is important to dress appropriately and presentably, teachers should not feel pressured to constantly keep up with the latest fashion. It is more important for teachers to focus on their teaching and creating a positive learning environment for their students. Ultimately, personal style and comfort should take precedence over following fleeting fashion trends.
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Identity
A philosophical masterpiece by the author of modern classic The Unbearable Lightness of Being. 'An artist, clearly one of the best to be found anywhere.' Salman Rushdie'Kundera designs fictions of the highest order.' Ian McEwanChantal awaits her partner in a hotel on the Normandy coast, struggling to find him on a crowded beach.After mistaking him for a stranger, they reunite, and she reveals her fears of men no longer turning to look at her.Soon, she begins to receive mysterious love letters, which she hides in her underwear drawer - but as the border between fantasy and reality blurs, perhaps the secret correspondent is someone closer to her than she realises?In this disquieting love story, Kundera reveals our shifting perceptions of selfhood over time, especially within the intimacy of a relationship - and makes us question our own existence.
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Clothing and Identity in Early Modern Rome
This is the first book-length exploration of the clothes worn in early modern Rome and provides novel insights into the city of Rome during one of its most fascinating periods.It also challenges the notion – well-established in dress historical research on the early modern period – that one was supposed to dress solely according to one’s social station; as Camilla Annerfeldt explores in great depth, this notion does not always seem to have been applicable to early modern Rome because of its very constitution. Using a range of primary sources from the Roman archives as well as texts of early modern writers, Clothing and Identity in Early Modern Rome presents a vivid account of the history of an early modern society, which will be helpful to historians of fashion, society, politics, material culture, and art, as well as everyone interested in the period when Rome was one of the dominant centres of Europe – culturally, socially, and politically.
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Identity, Personal Identity and the Self
This volume collects a number of Perry's classic works on personal identity as well as four new pieces, The Two Faces of Identity,Persons and Information,Self-Notions and The Self, and The Sense of Identity.Perry’s Introduction puts his own work and that of others on the issues of identity and personal identity in the context of philosophical studies of mind and language over the past thirty years.
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Fashion and Motherhood : Image, Material, Identity
Motherhood, whether achieved through biological or other means, is not a rare experience; dressing oneself, even less so.The two phenomena are intimately linked, as both occur on and to the private body, and are also fully subject to social pressures and the changing tides of public opinion.They also, for anyone who experiences motherhood, define one another and work together to shape an individual’s identity and place in their culture. This rich collection explores the essential question of how motherhood and fashion interact, interrogating their relationships to power, misogyny, temporality, longing and embodiment, among other themes.The 13 essays examine representations on film, in popular print and literature; they use images, narrative and material evidence from the past to excavate the historical cleavages in how mothers have been expected to hide, display, share and sacrifice their bodies.An international range of scholars explores the 19th to the 21st centuries, tracing how fashion and motherhood have operated as powerfully interdependent experiences and continue to determine how women are judged and corralled, yet also find meaning, connection and strength.
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Why are there fashion trends?
Fashion trends exist because they reflect the ever-changing tastes and preferences of society. They are influenced by a variety of factors including cultural shifts, technological advancements, and economic changes. Fashion trends also provide a sense of novelty and excitement, driving consumer demand for new styles and products. Additionally, they allow individuals to express their personal identity and creativity through their clothing choices. Overall, fashion trends serve as a way for people to stay current and connected to the world around them.
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What is gender identity?
Gender identity is a deeply-held sense of one's own gender, which may or may not align with the sex assigned at birth. It is a personal understanding of oneself as male, female, a blend of both, or neither. Gender identity is separate from biological sex and can be fluid and diverse, encompassing a wide range of identities beyond the traditional binary of male and female. It is an integral aspect of a person's identity and how they perceive themselves in relation to the world.
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What is identity politics?
Identity politics refers to the political activity and movements that are based on the shared experiences and identities of specific social groups, such as race, gender, sexual orientation, or religion. It involves organizing and advocating for the rights and interests of these groups, often in response to systemic discrimination and inequality. Identity politics seeks to address the unique challenges and perspectives of marginalized communities and to promote social justice and equality for all individuals.
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What is Supergirl's identity?
Supergirl's identity is Kara Zor-El, a Kryptonian who is the cousin of Superman. She is also known as Kara Danvers, her human alter ego. As Supergirl, she possesses superhuman strength, speed, and the ability to fly, and she uses her powers to protect the Earth from various threats. In her civilian identity as Kara Danvers, she works as a reporter and tries to balance her personal life with her superhero responsibilities.
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